Michael Kunze explains:

“The meaning of the term ‘musical’ has become much too broad. We may talk about a musical revue, a Broadway comedy, an American operetta, a theatrical play with music, or even a series of musical numbers without any connective story.”

“My musicals won’t fit any of these categories – so I call them Drama Musicals. I prefer to avoid the label ‘musical’ altogether.”

Mozart!

“Drama Musicals compare to movies. The entire creative team has only one goal in mind – how to best tell the story. Nothing else will be considered if it won’t serve this purpose.”

“Even the most beautiful music, otherwise spectacular effects or breath-taking dance moves will be dismissed if they don’t contribute to the overall quality of the story.”

“Due to the lack of existing models, I’ve developed my very own story structure with key scenes and lead motives in a three-act setting. In that and other aspects, I acknowledge the strong influence of my New York teacher, Robert McKee, a master in the field of story theory.”

Rebecca

“Just as any other musical, the DramaMusical aims to entertain and enrich its audience. I trust the critique of the collective theater public. If they are bored – I’ve failed.”

“Ideally, after attending one of my shows, the fans take something away in their hearts. I’d like to inspire their thoughts and emotions with insights for their more mundane everyday lives. However, I am not the teacher – the story is.”

Elisabeth